Ant™ Chair (3101)
Front Upholstered (Coloured Veneer)
By Arne Jacobsen
| Shell | : Coloured Veneer / Ash / Lavender Blue (815) |
| Upholstery | : Vanir / Light Blue (733) |
| Base | : Steel / Chromed Steel / Bright |
| Dimensions | : 48 x 52 x 81 cm |
| Seat Height | : 46 cm |
The Ant™ chair’s visual expression is delicate and artful, much like the curves of a musical instrument. Designed by Arne Jacobsen in 1952, the chair is made from nine layers of pressure moulded veneer. Its elegant shape disguises its remarkable strength and comfort. The 3101 model retains the sculptural simplicity of the original three-legged Ant design while expanding its distinct, expressive profile to suit a myriad of interior settings. Although the four-legged version of the Ant chair was occasionally produced during Jacobsen’s lifetime, it was only put into official production in 1971.
It is said that as a child growing up in Copenhagen, Arne Jacobsen painted over the Victorian wallpaper in his bedroom. But young Arne did not cover his walls with typical childish drawings or paint the ornate wallpaper boyish blue. Instead, he decided to paint his room entirely white. His decision may seem commonplace today, but in the early twentieth century white walls were not yet in fashion. From the very beginning, Arne Jacobsen was ahead of his time.
| Shell | : Coloured Veneer / Ash / Lavender Blue (815) |
| Upholstery | : Vanir / Light Blue (733) |
| Base | : Steel / Chromed Steel / Bright |
| Dimensions | : 48 x 52 x 81 cm |
| Seat Height | : 46 cm |
The Ant™ chair’s visual expression is delicate and artful, much like the curves of a musical instrument. Designed by Arne Jacobsen in 1952, the chair is made from nine layers of pressure moulded veneer. Its elegant shape disguises its remarkable strength and comfort. The 3101 model retains the sculptural simplicity of the original three-legged Ant design while expanding its distinct, expressive profile to suit a myriad of interior settings. Although the four-legged version of the Ant chair was occasionally produced during Jacobsen’s lifetime, it was only put into official production in 1971.
It is said that as a child growing up in Copenhagen, Arne Jacobsen painted over the Victorian wallpaper in his bedroom. But young Arne did not cover his walls with typical childish drawings or paint the ornate wallpaper boyish blue. Instead, he decided to paint his room entirely white. His decision may seem commonplace today, but in the early twentieth century white walls were not yet in fashion. From the very beginning, Arne Jacobsen was ahead of his time.
